Director of Public Relations:
Susan Beasy Latto, slatto@d.umn.edu
315 Darland Administration Bldg.
1049 University Drive
Duluth, MN 55812
(218) 726-8830 Cell: (218) 348-5688
Fax: (218) 726-7413

UMD News
UNIVERSITY OF MINNESOTA DULUTH
March 21, 2002 Contact:
Susan
Beasy Latto, Director of Public Relations 218 726-8830
Paul Cannan, Assistant
Professor ,Department of English 218 726-6268
UMD Presents Third Annual
Jankofsky Lecture
in Medieval/Renaissance Studies
by Penn State Professor
Garrett Sullivan
The
UMD English Department is pleased to announce the third annual Klaus Jankofsky
Lecture in Medieval/Renaissance Studies on Friday, March 29 at 4 pm in the Tweed
Museum of Art. A reception will follow. The presentation is free and open to the
public. This year's speaker is Professor Garrett Sullivan, who will deliver
a talk entitled, "In Praise of the Bohemian Shore, or The Cultural Logic
of Shakespearean Geography." Using some of Shakespeare's notorious cartographic
"errors" as a starting point, Professor Sullivan will explore the basic
geographic structures of Shakespearean comedy. Professor Sullivan is Associate
Professor of English at Penn State University. He is author of "The Drama
of Landscape: Land, Property, and Social Relations on the Early Modern Stage"
(Stanford UP, 1999). He was also recently awarded a long-term fellowship from
the Folger Shakespeare Library and the NEH for his book-length project entitled
"Planting Oblivion: Forgetting and Identity in Shakespeare, Marlowe, and
Webster." In his Jankofsky lecture, Prof. Sullivan will explore some
of the ways in which the geography of Shakespeare's early comedies is indebted
to and emerges out of specific literary and historical imperatives. He will consider
the significance of the fact that these works are produced at the moment of transition
between the "old" and "new" geographies. Professor Sullivan
will focus on three geographies central to a number of the comedies, those of
hospitality, paternity, and flight. By doing so, he will reveal the limitations
of the critical models that have dominated the study of geography and/in Shakespeare,
and isolate some of what we might call the deep geographic structures of Shakespearean
comedy.
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