Jarhead

 

Rated R; Starring Jake Gyllenhaal, Jamie Foxx, Peter Sarsgaard and Chris Cooper

Directed by Sam Mendes

 

There’s a scene in “Jarhead” in which a helicopter flies by with the radio blaring to The Doors’ song “Break On Through.” This angers Tony Swoffard (better known as “Swoff”), who remarks: “That’s Vietnam music… can’t we get our own music?” 

 

In all honesty, Vietnam music was better than the Nirvana-wannabe music that blared on radios during Desert Storm.  The same can be said for Vietnam movies, such as “Apocalypse Now,” “The Deer Hunter” and “Platoon,” all of which are better than the recent efforts at making an essential Gulf War film, including the most recent attempt by Sam Mendes.

 

With that said, “Jarhead” isn’t exactly “Welcome To The Suck,” as the poster’s tagline suggests.  Rather, it’s an entertaining war film that often captures the essence of the Gulf War – a war that wasn’t nearly as exciting as Vietnam or World War II.

 

Based on a 2003 best-selling memoir, “Jarhead,” stars Jake Gyllenhaal as Swoff, a marine sniper who dreams of firing his gun before the war is over.  He never gets to; nobody does.  In fact, for a war film, there’s very little violence in “Jarhead,” which separates it from typical war films. 

 

Rather, “Jarhead” is a film that rises above war violence to study the characters involved in the battle, and there are plenty of interesting ones.

 

Swoff is the most memorable, thanks to a notable performance from Gyllenhaal, who brings charm and understanding to the frustrated soldier.

 

Jamie Foxx is also very memorable as Sykes, an uncompromising but forgiving Staff Sergeant who forces his men pay for their mistakes by cleaning out the outhouses.

 

Many of the film’s funniest moments are a result of the relationship between Sykes and his soldiers.  In one scene, Sykes orders his men to play football in their gas-repellent suits in front of a television crew, which eventually results with the men stripping down in front of the cameras.

 

In another scene, Sykes forces Swoff to hum song tunes in front of the other soldiers, because he was late for training.

 

Along with its humor, the film also strives because it is able to capture the characters involved in the war.  Many movies portray soldiers as pot-smoking lower class folks who have nothing to lose. 

 

In reality, many are middle class citizens who find honor in their country and are dedicated – which is exactly how they’re portrayed in “Jarhead.”

 

“Jarhead” also captures the loneliness and boredom that can quickly drive the soldiers insane.  In one scene, Swoff – frustrated about his girlfriend’s new friend and angry about getting into trouble – points a loaded gun at his teammate’s face and then requests to be shot instead.

 

At times, “Jarhead” is a very good war film, which is what we’d expect from the director of “American Beauty.”

 

Mendes, who also directed “Road to Perdition,” needs to be respected for taking on another unique project.  Yet, “Jarhead” is nowhere near the quality of his previous two films.

 

The film drags on too long near the end, and loses focus when it begins to concentrate on the soldiers’ lives outside of the war.

 

Although it may lose some of its juice near the end, “Jarhead” is still very much worth seeing, thanks to its rare honesty and standout first half. 

 

I’d compare the film closely to Stanley Kubrick’s “Full Metal Jacket,” another war comedy that falls apart when it begins to focus on the war rather than its characters.

 

As a result, “Full Metal Jacket” went on to receive only one Academy Award nomination (for best screenplay).  Perhaps the same will happen to “Jarhead,” a film that was once widely considered as an Oscar frontrunner. 

 

Grade: B

 

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