QUESTIONS FOR THE QUIET AMERICAN (WEEK 5)

What was meant by the U.S. desire to create a “third force”? Who represented the culmination (both in actuality and, subtly, in the film) of this American desire?

How are those resisting the French (and Americans) portrayed? Who are they? Whose interests are they serving?

In the film, are the American efforts to help determine Vietnam’s future portrayed as appropriate or inappropriate?

How might the love triangle between Fowler, the American, and Phuong be symbolic of the larger political issues the film addresses?

Do you think this film was supportive of U.S. foreign policy in Southeast Asia in the 1950s?