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1970s 3/03 e a r s & eyes GELÄNDEC Instrumente (c)
Leif-Bürste 1975n I seek engagement with you- using your cellphone- for an ongoing, participatory Internet process in which an ear approach is the basis for a new hearing of nature and working towards the goal of recontextualizing sound in art.-"(nature/tree/tech) composer Leif Brush " I've monitored potentials from extraterrestrial Sferics, terrestrial ground-truth, trees, lakes, the earth's sonics (via the Signal Discs, Draft Monitor, Windscube, terrestrial Whistlers, Meadow Piano ), and then to their mixed extraterrestrial, spatial Audible Constructs. Listening sites reached through the sensors of others are of particular interest to me. My longstanding interest in physical phenomena could produce mixtures in realtime of the inprogress Windribbon within an interactive networking, joining your listening source(s) between and among participating servers. My professional career in sound has explored an intermediary role, sharing through various public performances the potentials of amplified, otherwise unheard and sensor-perceived contextual voltages from nature. E A R fulls ; Terrain Instruments.org 2 3 : passaroundsound.net ; windwitnessing; freetoears.net Leif Brush; b wind &voice data poetry / earlier later n mpg3 b/QT4 |
