




double
glass pane sensor
A & B: importing was accomplished
using taped and realtime Shure 635 microphones and Shadow sensors.
Both amplified local and distant ambience from adjacent contexts
using these inputs. Outputs could be directed to either (A) or
(B). Additionally, UTC/GMT syncs allowed for the playing back
at different dates/times. To accomplish these sound-in-sound transfers
a four track Sony cassette and a TEAC reel-to-reel recorder were
used to convey all soundings of a woods edge and aspects of an
adjacent meadow. Realtime tests using the four mic amplifications
required on-the-fly monitoring to lessen any g back through one
or both layers.
listening site: birch roots during
high winds
w/solid glass rods sensed by an accelerometer
coupled to a femto-amphere amplifier
"Ground
truth refers to information that is collected "on location".
In remote sensing, this is especially important in order to relate
image data to real features and materials on the ground."
tree coring

Sketch
Demodulated
analog Metrologic laser relayed perturbances to the passed around
laser beams caused by insects, earth rumbles, rain and birds-
while simultaneously being received by the radiometer for monophonic
output soundings.
Helium
filled aluminum mylar balloons, LAYERS ALOFT (Updated Vee
projects of 1970-72)
each
balloon monitored an area of approximately 2 square of space
26
FM radio "channels" were needed to make ascent and descent
recordings and for playing back
like
any balloon lift off, cool still nights are the best for this
project
Modes: recording - to FMradio/listener&recorder
The
single balloon carried a Velcroed soft solar array, 1 Watt styrofoam
speaker, noise cancelling stereo mike, 2 Watt amplifier chip,
and FM transmitter/receiver inputs and outputs were a part of
the kite-nylon guying cable system. The outer covering required
a soft edge to effectively minimize mechanical vibrations from
being picked up via the mike line.
playback - per-balloon
syncronism was not possible during rise or descent; however, I
imagine a time shifting occuring upwind, and the technology for
compensating-synchronizing was not available.
Preliminary
Proposal for PS1, NY, 1978
Post competition
words: Dennis Oppenheim later told me when we met at his show
in Minneapolis that he thought such a project could not be feasable
and executed.
to data poetry

COMBINING AT
LEAST THREE DIFFERENT CLIMATIC ENVIRONMENTS**tree ring
playback**
pdf (p.
1-188mb):
May 20th
At this point, Professor Brush
preferred to activate his soundworks in public places (in nature).
pdf DOCUMENTS

analog tape of Leif Brush's Terrain
Instruments and Tom Wegren's piano MP4
Terraplane Chorography 3
continues