SOUNDWORKS
11 Franklin Furnace
passaroundsound weblackwhole
freetoears 
leif BRUSH
Conceptual drawing on photograph
Ten
swinging pendants attached to a pair of wooden blocks were to
be supported by a pair of airplane cables between birch trees.
Solar panels on the roof were to supply power to the preamps.
A 4X4x8 foot rigid pine block was planned to rest on feet imbedded
in concrete. Twenty five stainless steel strands were to cover
its surface and each wire was to have a Shadow sensor placed at
different nodes. On the bottom of the pendants were locking receptor
mechanisms where feathers, small branches and similar "needles"
could be inserted. Tree movements controlled the played-movements
over the surface.
Soundworks
II 1981,
Curated By Peter
Frank
program
pdf pages 1,2,3,4,5
((artist names, audio titles & timing ))
Satellite Program Development
Fund, NationalPublicRadio 1981
proposal excerpt
.pdf &
2007
the Hudson River was visible out the
back door
This title, for instance, suggests aspects of what
art in technologies have been advocating for some time. My
long distance interactive and communicative project was accessable.
Further, it grew from this point, later I merged with the computer
and with people using computers. My work moves into working with
digital sound processing. A
Westar IV satellite linked musicians and sound artists for a two
hour performance between New York (WNYC) and Duluth (KSJN-StPaul)
in July
/picts/mpegvideo
continues
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