British Library Sound archive

Hartford, Connecticut "Hartford Arts Center: Thursday July 5 - Visual "Sound" Forum Featuring Leif Brush, Liz Phillips, Phil Niblock, Dennis Oppenheim, Jim Pomeroy, Doug Hollis, and Alvin Lucier" (Reynold Weidenaar's writeup)

using this grid of flexibly-tied and buoyed large array of floats: where any FM radio tuned along Duluth's Lake Superior north shore scenic highway and from ships on the lake would be able to hear ambient sound beneath and above water...modifications include exercise balls for high winds and wave conditions

back to data poetry

Teleconstructs Spacework I, Teleconstructs Spacework II, Terrain Instrument: windribbon

Beth and Tim intercept the sounds by using a soft telephone keypad to grab a pair of hardwired in-line tracks from the tape deck playbacks and amplifying them in the plastic-coned speakers on their console. They became the aural epicenter, shifting spaces in the Walker auditorium, skewing original and ongoing spatial results.

(in progresss)

Linda Novak's Article on performance art in Chicago: High Performance #31 Vol. VIII, No. 3, 1985
Special Report: Experimental Music in America: A History of New Music, New Music In L.A., World Music, Sound Sculpture, Cross-Overs. Festival Catalog.

EAR Magazine: The Composer and the Moving Image, V9,10-1 Fall 1985 teleSuonovision

1988

real time sound "tracks" accompany radioroads terrain scapes

Car is uplinked-downlinked via Sinclair mcrocomputer and satellite-to-your-FM freq. (details/available for loan-credit card required- at participating Sinclair, Standard/ESSO gas stations) , and a Radio controlledSolar Sundial- via your Sinclair micro- from this particular I-35 marked basalt area.