2nd complete whiteout of this page
radioroads; British Library Sound archive


Hartford,
Connecticut "Hartford
Arts Center: Thursday July 5 - Visual "Sound" Forum Featuring Leif Brush,
Liz Phillips, Phil Niblock, Dennis Oppenheim, Jim Pomeroy, Doug
Hollis, and Alvin Lucier" (Reynold Weidenaar's writeup)

using
this grid of flexibly-tied and buoyed large array of floats: where
any FM radio tuned along Duluth's Lake Superior north shore scenic
highway and from ships on the lake would be able to hear ambient
sound beneath and above water...modifications include exercise balls
for high winds and wave conditions
back
to data poetry

Teleconstructs Spacework I, Teleconstructs
Spacework II, Terrain Instrument: windribbon
Teleconstructs
2



Beth and Tim
intercept the sounds by using a soft telephone keypad to grab
a pair of hardwired in-line tracks from the tape deck playbacks
and amplifying them in the plastic-coned speakers on their console.
They became the aural epicenter, shifting spaces in the Walker
auditorium, skewing original and ongoing spatial results.
(in progresss)


sound file invalid?


Linda Novak's Article on performance art in Chicago: High Performance #31 Vol. VIII, No. 3, 1985
Special Report: Experimental Music in America: A History of New
Music, New Music In L.A., World Music, Sound Sculpture, Cross-Overs.
Festival Catalog.
EAR Magazine:
The Composer and the Moving Image, V9,10-1 Fall 1985
teleSuonovision
holovision

The following configurations
were specially to be fitted upon interstate mile marker posts
for the purpose of broadcasting directly to passing cars. There
was a reason why this designated stretch of Interstate
35 in Minnesota, US was chosen by me in this proposal to the State
Highway Department in 1988. These miles were selected because
an FM radio presence- for car reception- did not exist. Broadcasting
by regional FM stations were not capable of being received on
this section of the highway. Technically, some of the issues come
down to this: transmitting on most affected FM frequencies 100
MHertz and above are due to "path loss" from FM stations.
Their output, or signal strength, is weakened and/or non-existent.
The solar powered transmitters advocated here do have sufficient
output to reach across the median and four lanes. To cover our
start to finish of a 2 mile stretch, we have to use paired pole-mounted
sets, with each facing the other every 50-75 feet. Both will broadcast
on a different frequency onthrough to the last of our paired poles
in this project. Only two available and separate frequencies are
necessary. Doing so lessens the chance of overlapping a previous
pole's outputs. Thus doing so permites a smooth continuity from
the soundings which "accompany" riders moving in their
car. What do I need? Listening in on roadsideradioscapes on I-35,
travelers on this stretch of interstate will have picked up a
rented package of items: these include (1) a micro computer ,
(2) two-way satellite transceiver and antenna with a rubber suction
cup for attaching to roof, and (3)an instruction manual. So, the
system thus far: retro-sounds, or "intercepted reflections"
( e.g.)
of the visible out-the-window contiguous terrain aspects and their
sounds are perceived as realtime satellite/FM-delivered audio.
Interactive, how? Selecting, presetting and activation of FM transmitters
on both sides of this two mile stretch of the I-35 median strip
will result in a "soundtrack" importation. After departing
Hinckley, listeners in the car appreciate its owner having made
prior arrangements from a designated person/in gas station along
the route.
((An option occurred
to this initial proposal soon after I received my rejection by
MDOT: The available sound nearest the car whizzes by; however,
the hay bailing going on in the distance actually follows the
onlooker very slowly. ?And what about in between the two phenomena?
This is akin to billboard signs where the face appears to be moving
with you. Meaning? A multiplexed system version- to accommodate
this spatially, holographic-like sound/vision imagery- should
follow.))
terrain
and local "soundtracks" accompany radioroadscape broadcasts
in realtime to cars on both side of two mile stretch of the I-35
median strip
proposal
sketch to Minnesota
Department of Transportation, and
which
shows that along the top and bottom are rows of fencing wires
separated by distinct wooden poles (celery stalks) in the ground ((see a large detail
above which details working elements --solar panel, receiving
(parabola) and transmitting elements--coil at the focal point
of the parabola))... counting from the top second pole you
can see the approx. FM transmitting range (shaded area) from this solar-powered
system; directly opposite of the median an identical setup brodacasts
to passing cars on a different frequency...Roaside Radio maps
(below) are to be available
a select gas stations (don't
forget use credit card to secure the loan of a Sinclair micro
which also includes a hand w/rubber suction cup to place on cars
roof-for
2way DBS satellite use) and the pole markes as IDd, indicate
which frequency to tune as you move along...for this paricular
stretch you would be expected to keep track of the upcoming poles
number so as to tune in this overlaping section of your continuous
soundingscape...
1986
Photographs include: I-35
basalt 2 plateau (below) in median south
bound between Hinckley & Duluth (north or south of marker # )
Car is uplinked-downlinked
via Sinclair mcrocomputer and satellite-to-your-FM freq. (details/available
for loan-credit
card required- at participating Sinclair, Standard/ESSO
gas stations) ,


and a Radio controlledSolar
Sundial- via
your Sinclair micro-
from
this particular I-35 marked basalt area.
((
realtime
audio? ))
The
head of MINDOT advised that me the "travelling public's safety"
comes first and therefore, he didn't think it avisable to proceed
with my -in progress- % for art application. PROPOSALin
progress
terrestrialselfbroadcastingsources
continues