




using this grid of flexibly-tied and buoyed large array of floats: where any FM radio tuned along Duluth's Lake Superior north shore scenic highway and from ships on the lake would be able to hear ambient sound beneath and above water...modifications include exercise balls for high winds and wave conditions

Teleconstructs Spacework I, Teleconstructs
Spacework II, Terrain Instrument: windribbon

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Beth and Tim intercept the sounds by using a soft telephone keypad to grab a pair of hardwired in-line tracks from the tape deck playbacks and amplifying them in the plastic-coned speakers on their console. They became the aural epicenter, shifting spaces in the Walker auditorium, skewing original and ongoing spatial results.
(in progresss)
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Linda Novak's Article on performance art in Chicago: High Performance #31 Vol. VIII, No. 3, 1985
Special Report: Experimental Music in America: A History of New
Music, New Music In L.A., World Music, Sound Sculpture, Cross-Overs.
Festival Catalog.

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1988real time sound "tracks" accompany radioroads imagery
Car is uplinked-downlinked
via microcomputer and satellite (1986 Photographs: Basalt plateau
in median south bound between Hinckley & Duluth, and a Radio controlled Solar Sundial for this particular
basalt
area.