William
E. Payne
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Associate
Professor of Directing/Acting
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4420 Robinson St.
Duluth, MN 55804
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WK (218) 726-8597
HM (218) 525-1512
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<wpayne@d.umn.edu>
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University of Minnesota Duluth |
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| TH 1001 Introduction to Theatre Arts | TH 3881 New Play Development Workshop |
| TH 1111 Acting: Fundamentals | TH 3900 Intern Teaching in Theatre |
| TH 1112 Acting I | TH 3950 B.F.A. Senior Exit Audition |
| TH 1950 B.F.A. Qualifying Presentation | TH 4151 Acting V: Senior Studio |
| TH 2113 Acting: Classical Styles | TH 5220 Directing: Special Projects |
| TH 3171 Acting IV: Character Transformation Through Masks | TH 5222 Stage Direction II |
| TH 3201 Stage Direction | ART 4973 Interdisciplinary Web Design Project |
| TH 3700 Actor's Studio | |
Aurora University |
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| THE 120 Introduction to Theatre | THE 354 Advanced Acting |
| THE 151 Theatre Workshop | THE 383 Directing |
| THE 225 Oral Interpretation of Literature | THE 383 Playwrighting |
| THE 254 Acting I | THE 383 Storytelling |
| THE 353 Theatre History | IDS 110 Tools of Thought I |
| THE 301/ REC 301 Organization and Management of Visual & Performing Arts | |
University of Minnesota Duluth |
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| Educational Policy Committee | 2002-2003 |
| Liberal Education Subcommittee | 2001-2003 |
| Visualization & Digital Imaging Laboratory Presentation to the University of Minnesota Regents Committee | 2001 |
U.M.D.
School of Fine Arts & Department
of Theatre |
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| Chair, Student Affairs and Appeals Committee | 1995-1997 |
| Member, Student Affairs and Appeals Committee | 1994-1995 |
| Member, Recruitment & Retention Committee | 2002-2003 |
| Chair, Tech Fees Allocation Committee | 2001-2002 |
| Member, B.A. Divestiture Committee | 2001-2002 |
| Chair, Scholarship Fundraising Committee | 1998-1999 |
| Chair, Summer Theatre Committee | 1996-2001 |
| Advisor, Stage Two Student Producing Organization | 1994-2003 |
| Coordinator/Instructor, High School Theatre Workshop | 1994-2002 |
| Member, Season Selection Committee | 1993-1994 |
Professionally Related Public Service |
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| Coordinator/Storyteller - Men As Peacemakers - NewTales Storytelling Troupe | 2001-2003 |
| Moderator - Performance & Discussion of Oleanna by David Mamet , sponsored by the Office of the Vice Chancellor of Academic Affairs, College of St. Scholastica. | 1996 |
| Advisor, Board Member - Dark Horse Theatre Company, Duluth, Minnesota | 1995-1999 |
Community Service |
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| Member, Board of Directors, Lakeside Presbyterian Preschool | 1998-2000 |
| Chair, Worship Committee, First Unitarian Universalist Church o Duluth | 1999-2003 |
| Teacher, Religious Education, First Unitarian Universalist Church of Duluth | 1997-1998 |
| Advisor, Black Student Association, theatre production of Spell #7by Ntosake Shange | 1997-1998 |
| Advisor, B. S. A. theatre production of For Colored Girls... by Ntosake Shange | 1996-1997 |
| Advisor, B. S. A. theatre production of The Colored Museum by George C. Wolfe | 1995-1996 |
Aurora University |
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Guest
Artists Series Committee, Chair |
1990-1993 |
| Academic Standards and Appeals Committee | 1992-1993 |
| Advisor - Black Student Association Theatre Productions | 1990-1993 |
| Awards |
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| Outstanding Faculty Advisor Award | School of Fine Arts, University of Minnesota Duluth | 2002 |
| Outstanding Faculty Member | Aurora University | 1991 |
Grants |
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| Internal | Summer Research Grant - Visualization & Digital Imaging Lab | $2,000.00 |
| This grant enabled the learning of the Final Cut Pro video editing software and the editing of scenes from my production of The Bacchae, produced by UMD Theatre in January 2001 | ||
| Internal | Diversity Grant | $8,442.00 |
| This grant brought Migdalia Cruz of the U.S. and Estella Lenero Franco of Mexico to U.M.D. (April 16-22, 2001) for a series of workshops and a public presentation concerning the new play they are writing together, Primer Contacto (First Contact). A workshop of the play scheduled for sometime in the near future, contingent upon the availability of funding. | ||
| External | Career Development GrantThe Arrowhead Regional Arts Council | $600.00 |
| For directing The Skin Of Our Teeth by Thornton Wilder at the American Theater Company, Chicago. | ||
| Internal | Minnesota McKnight Endowment for the Arts & Humanities University of Minnesota Institute of International Studies Programs |
$700.00 $500.00 |
| For travel to and from Mexico City in Spring of 1999 for a production of Cloud Tectonics by Jose Rivera at the Centro Cultural Helenico. | ||
| External | U. S. - Mexico Fund For Culture | $10,000.00 |
| This award was granted for production costs for Cloud Tectonics by Jose Rivera in Mexico City in April of 1999. The binational grant is funded by the Rockefeller Foundation, The Bancomer Foundation, and Mexico’s National Fund For Culture and the Arts. | ||
| Internal | Diversity Grant | $3,250.00 |
| For a week long visit by Otto Minera April 23-30,1998. Mr. Minera and myself conducted a bilingual workshop/reading of Cloud Tectonics/La Tectonica De Las Nubes by Jose Rivera, presented a public lecture concerning the state of theater in Mexico, and taught in a variety of classroom settings. The workshop allowed Mr. Minera and myself to work on the translation of the play in preparation for its’production in Mexico City in the Spring of 1999. | ||
| Internal | Single Quarter Leave | Spring 1999 |
| Leave to pursue directing Cloud Tectonics by Jose Rivera at the Centro Hellenico Teatro in Mexico City. The production was the first production in Mexico for Mr. Rivera and included a residency by the playwright. The production brought together artists from around North America. | ||
| Internal | University of Minnesota Grant-in-Aid of Research, Artistry and Scholarship | $1,200.00 |
| For travel expenses incurred conducting a workshop/reading of the translation of Cloud Tectonics by Jose Rivera in Los Angeles, California in August 23-30,1998. This workshop included meetings between the playwright, translator, and director concerning the translation of the play and the nature of the production scheduled for Spring 1999. The visit culminated in a reading of the play using professional actors. The workshop/reading was supported in part by the Mark Taper Forum. | ||
| Internal | Faculty Summer Research Fellowship McKnight Summer Fellowship |
$5,000.00 $5,000.00 |
| For research project “Using masks and collective creation to generate a new performance piece”. This included travel to Mexico City, Mexico and Vancouver, British Columbia during Summer, 1996. | ||
| The Expressionism of Eugene O’Neill - Masks in The Hairy Ape. | Presented at the A.T.H.E. Convention in New York City August 7-10, 1996. | Sponsored by the Design & Technology Forum |
| Directing Pedagogy: Three Divergent Approaches For Teaching Young Directors ; (1) The Portfolio: Linking Analysis With Practice | Presented at the A.T.H.E. Convention in San Francisco August 9-12, 1995 | Sponsored by the Directing Forum |
Here
are some links to more of the resume!!!
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