Workshopping

In the workshop, we will take one piece at a time, and go around the room to hear a variety of your reactions and suggestions to it. Rest assured that you will be called upon several times in each workshop to share your comments. To prepare for this discussion, follow these general guidelines.

Before the day of the class meeting, spend a little time with each site scheduled for discussion.

Take note of what you see and what you think. In a word-processing document, write notes for each site, identified with the project number and author's name.

Keep in mind that you are addressing all your comments to the creator of the piece, to whom your send them in an e-mail after the workshop.

In each comment, sum up your reactions and suggestions in a short paragraph that brings together your ideas and impressions. This should be a person-to-person message about the project, not just a set of talking points. You'll e-mail these responses back to the author in class after the workshop.

Before class, printout your comments and summing-up paragraphs for all the projects to be discussesd that day. This printout can serve as your talking points when you're called upon in class.

Respect takes two forms.

• First, while your comments should be constructively "critical," they should never be contemptuous or dismissive in tone. These are all writing-and-design projects in progress, and anyone who shares his or her work deserves consideration, help and recognition of what's been accomplished.
• Second, respect means taking the piece and its creator seriously enough to offer specific suggestions and honest reactions, rather than saying the piece is "pretty good." None of us likes being patted on the head, or having our work essentially ignored. Vague, empty praise can be a form of contempt.

Use specific technical terms from the readings and class discussions. You might try making a list of these key ideas first to prompt your thinking. These terms can serve as a shared critical language, and can help suggest characteristics to look for.

To help explain your impressions and suggestions, use examples from samples that we've looked at or created in class, or that we saw in the textbooks.

Comment from two points of view.

1. You are a fellow writer/designer who has thoughtful and informed suggestions and reactions.
2. Also, though, imagine yourself as a member of the intended audience visiting the site. How well do the decisions the writer/designer has made help the piece operate within the culture (the worldview or belief system) of the audience?