MWF 8:30-9:45 AM
MPAC Main Stage, Dudley Theatre, Mark Harvey's Office and possibly other places to be determined.

Mark Harvey
mharvey@d.umn.edu
726-8776

Course Objectives:

1. To explore the advantages of digital technology in the theatre.
2. To become proficient in programming both Cue Only and Tracking lighting consoles.
3. To analyze and compare the functionality of different types of intelligent lights.
4. To understand the uses and techniques of DMX 512 protocol.

Possible Texts:

Cadena, Richard. Automated Lighting: the Art and Science of Moving Light in Theatre, Live Performance, Broadcast, and Entertainment. Boston: Focal Press, 2006.
Moody, James L. Concert Lighting: Techniques, Art and Business. Boston: Focal Press, 1989.
Schiller, Brad. The Automated Lighting Programmer's Handbook. Boston: Focal Press, 2004.
Vasey, John. Concert Sound and Lighting Systems. Boston: Focal Press, 1993.

Class Expectations:

Attendance Policy: This course involves practical hands-on efforts of each student enrolled. Attendance each day the course meets is expected. If attendance becomes a problem, role will be taken each day. Without prior arrangement, each absence beyond five will result in the lowering of the final grade.

Grading Policy:

Late projects are not accepted. Any project submitted late will receive a grade of 0. Demonstrated progress, made evident during class work periods, may qualify the project for late penalty waiver.

Students will be required to demonstrate each project for the class, so all assignments are due at the beginning of class.

Note: Individuals who have any disability, either permanent or temporary, which might affect their ability to perform in this class are encouraged to inform the instructor at the start of the quarter. Adaptations of methods, materials or testing may be made as required to provide for equitable participation.

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