Freytag's Pyramid,
fears of new media,
hopes for continuities with narrative traditions,
sensation vs. imagination,
fragmentation vs. integration,
constructive of meaning vs. destructive of meaning,
addictive media vs.
empowering media

epistolary novel,
multiform stories,
story pleasure (diachronic, synchronic),
active audience,
fan fiction (textual poaching),
lexia (vs. pages)

Plot, Desire, Duration, Framing.
Iceberg Effect
Action in Writing

additive forms (e.g. "photoplays"),
Four Properties of Digital Environments (PEPS): Procedural (Elza), Participatory, Spatial, Encyclopedic, scripting the interactor

"aesthetics of the medium" vs. four "essential properties" (PEPS)?
immersion,
fourth wall (theater,)
immersion vs. arousa,
spectacle

tropes
new media tropes
lexia
hypertext
visualized language

parody vs. satire vs. hacking
genre
target
façade
pretense, subtext, concealed agenda:
(sub)culture
satirical intention
literary intention
story
"not men but manners" (Henry Fielding)

agency vs.
interactivity .vs
authorship
stories vs. games
games as symbolic dramas

"managerial/ professional/ technological intelligentsia" [Professional-Managerial Class (PMC)],
cultural capital,
culture (as in "the culture of information"),
information,
literature vs. the literary,
knowledges,
knowledge work vs. humanistic knowledge (writing),
ethos of unknowing

remediation
immediacy
hypermediacy

narrative and database,
syntagmatic vs. paradigmatic (see parallels with diachronic/synchonic dichotomy),
new media narrative

navigable space
systematic vs. aggregate space
non-places