Syllabus

Spring 2009

Course Information: WRIT 5250--section 001, ref # 93199--meets from 2:00 p.m. to 3:15 p.m. in Humanities 458 on Tuesday and Thursday. The course home page is available at: http://www.d.umn.edu/~cstroupe/sp09/5250/

Professor Information:
Dr. Craig Stroupe, cstroupe@d.umn.edu, 218-726-6249, Humanities 425, Office Hours Tuesday and Thursday 11:00 a.m. to 12:00 p.m. or by appointment.

Purpose | Expectations | Resources Needed | Grades

Purpose

This class will explore the relationship between New Media and writing. You will learn skills and methods of New Media production (that is, the hands-on creation of digital, screen-based, networked, verbally/visually hybrid media), and the opportunities they provide for writing beyond the mere delivery of information. In doing so, you will gain perspectives on the not-always-apparent continuities between New Media and the literary use of words and design, and between digital and literary cultures.

This course is designed to help you realize the following goals:

  1. using writing to conceive, visualize and design New Media texts
  2. discussing your work in critically informed ways;
  3. writing critically and knowledgeably about issues and questions raised by digital culture and New Media, particularly the relationship of the online world to the social, civic, professional and political experiences of physical space;
  4. conceiving and carrying out writing/design projects that engage potential audiences on a variety of levels;
  5. participating in and contributing to a community of writer/designers; which are especially necessary in the creation of texts for institutions, businesses, and civic organizations;
  6. using a variety of software to create New Media texts for electronic delivery, especially via the Internet.

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Expectations

Exercises and Projects

This course is essentially a series of exercises and projects with a final exam covering the critical readings and major course concepts. We'll do the exercises together in class to learn particular skills or techniques, and you'll have 24 hours after the class meeting to complete and post each exercise to the Web for credit.

As described on the Works Page, the projects are larger pieces of work that you'll complete individually over a period of two or three weeks using the skills you've learned from the exercises and insights from the readings and class activities. One of the major projects is an analytical essay.

There is a three-point penalty per day for late projects.

Due dates for all requirements are included in the online schedule, which will be updated throughout the semester.

Final Exam

We will have a final exam during the scheduled exam time during finals week. Near the end of the semester, I will give you sample questions and conduct a review session to help you prepare for the final exam.

Extra Credit for Participating in the Experts List

Given the wide range of experience and learning styles in a class like this, it is important that each of you be responsible for your own progress in developing the hands-on skills in Dreamweaver and Photoshop necessary to complete the Web-based projects. The exercises—and the portions of class time devoted to them—are intended to acquaint you with these skills, but for some of you the exercises in class will not be sufficient, and for others these introductions will be unnecessary.

I will offer extra credit to

  1. those experienced among you who will be willing and able to serve as "experts" in these softwares and techniques, and
  2. those who need the help and are willing to seek it out as a "client."

We will use the Webx discussion board to match experts and clients, and allow you to arrange times and places outside of class to meet face-to-face. You can check the lab schedules to find available full-service labs if you wish.

After you've met, both the expert and client should document details of their meeting via a Web form that I will make available, and this report will also serve as the means of applying for this extra credit.

The amount of extra credit for each reported meeting may vary from zero to 1% of your total grade (up to a maximum of 8% for the semester) based on the specificity of the report and the usefulness of the meeting.

Since this extra credit is based on the honor system, I will ask you to explain in the report the very specific skills and techniques that you taught/learned, and to point to the results in particular exercises, projects, or other samples of work. I will rescind the extra credit for reported meetings if the skills and techniques claimed do not become part of the client's everyday working skill set.

Other Writing and Design Work

In addition completing the exercises, designing and producing the projects, and taking the exam, you will earn credit through:

  • writings on our online Webx discussion board
  • plans and preliminary writings or designs for your projects,
  • peer critiques for workshops
  • other writings.

Readings

On days when readings are assigned, please do the following:

  • have the readings done by the beginning of class;
  • expect brief quizzes or guided reading responses at the beginning or end of class. There are no make-ups on these responses if you are absent, late or leave early.

Attendance

Since this class will function as a community of writer-designers, your regular attendance is absolutely necessary.

  • Absences: For Monday/Wednesday/Friday classes, absence in excess of 4 will deduct 3 percentage points each from your overall grade. For Tuesday/Thursday classes, absences in excess of 3 will deduct 3 percentage points each from your overall grade. For night classes, absences in excess of 2 will deduct 3 percentage points each from your overall grade
  • Absences short of these limits can be spent however you wish and so there are no excused or unexcused absences. Save your "free" absences for a rainy (or snowy) day.
  • If you are absent, you are responsible for all material covered in class.
  • In the case of absences or lateness, some requirements like quizzes and guided in-class activities cannot be made up when timeliness or group interaction is critical.
  • In addition to your budget of allowed absences, you also have instances of arriving late or leaving early to use (with or without an excuse) if necessary: 4 for Monday/Wednesday/Friday classes, 3 for Tuesday/Thursday classes, 2 for night classes. Instances in excess of these allowed occasions will decrease your overall grade by 2 percentage points each. If during the semester you need to leave class early, even if it's one of your allowed instances, please arrange it with me in advance.

Participation

A larger goal of this course is to establish a community or network of writer-designers—with a wide variety of backgrounds, expertise, and interests—to enhance your learning and enjoyment during the next sixteen weeks. The class is designed to provide a number of avenues for this community building, including peer workshopping and critiquing, in-class production work, support groups, and various Internet-based communications and collaborations. Your sincere and regular contributions to maintaining this collaborative environment will count in your grade and of course will greatly benefit your final products in the course. Because your work is the subject matter for this course, turning in all projects and writings on time is critical; work turned in late will be assessed a 3% penalty per day.

Special Needs

If you have a disability, either permanent or temporary, which might affect your performance in this class, please notify me at the beginning of the semester. Methods, material, or testing will be adapted as required for equitable participation.

Incompletes

Incompletes for the semester will be given only in the following very limited circumstances:

  • you must contact me in advance of the semester's end to make a request for an incomplete;
  • no more than one or two weeks of class, or one or two assignments, can have been missed;
  • you must be in good standing in the class (not already behind, in other words);
  • you must have a documented family or medical emergency, as required by university policy;
  • you must arrange a time table with me for completing the missed work that is acceptablefor both of us.

Academic Integrity and Student Conduct

Please see UMD's pages concerning these two issues:
<http://www.d.umn.edu/assl/conduct/integrity/>
<http://www.d.umn.edu/assl/conduct/code/>

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Resources Needed

(Note: Books and the packet of readings will not be available until the second weeks of classes)
  • Macromedia Dreamweaver 8, Tom Negrino and Dori Smith
  • Janet Murray's Hamlet on the Holodeck, MIT Press.
  • a packet of readings available from UMD print services
  • a UMD e-mail account
  • a USB drive (a.k.a., jump drive, pocket drive, thumb drive) for saving and transporting your work
  • occasional access to a digital camera, which can be checked out from ITSS.
  • access to a printer, or funds for printing

Grades

  • Your work on the major projects (weighed according to the size and complexity of the project): 65% total
  • Your performance on the final exam: 25%
  • Your completion of the various exercises and participation in class generally, including in-class activities and contributions, online discussions, attendance, conferences, quizzes, peer workshop responses, Webx discussions, class discussion, promptness: 10%

Purpose | Expectations | Resources Needed | Grades | Top