Schedule | Fall 2014

September: 2, 9, 16, 23, 30; October: 7, 14, 21, 28; November: 4, 11, 18, 25; December: 2, 9

Current and Next Meeting

  Homework In Class
Unit 4: Language and Authorship  
R 12/4

Homework

Read, Mark, and Be Prepared

Read all seminar paper drafts (on paper!). Mark them and write in the margins.

Come in ready to discuss them. Think in particular about

  • unity
  • detail
  • clarity of the argument
  • opportunities to use theoretical terms and ideas from the semester to open up an important topic in the paper, or to organize a complex topic.

 

Bring all Books and Readings

 

Day 26: Draft Workshop

Draft Workshop

 

Complete Discussion of Historical Materialism vs. Structuralism/Post-Structuralism

 

WEEK 15
T 12/9

Homework

Complete and print one copy of your paper to turn in.

 

Day 27: Papers Due

R 12/11  

Day 28: Presentations

FINAL Exam Week    

 

September

  Homework In Class
Unit 1: Text, Culture, Meaning

 

WEEK 1
T 9/2

 

Day 1: Introduction to Critical Theory

How It Works

The syllabus, the class, the English MA Program (see the checklist)

The Power of Reading on Paper

See "Readers absorb less on Kindles than on paper"

Unit 1: Texts, Culture, Meaning

  • An attempt at a definition:

 

Literary theory--or critical theory--is an explanation of how texts, culture, and meaning relate (among multiple possibilities)

 

Two Tool Boxes for Organizing Critical Theories

  1. idealism, materialism, structuralism/post-structuralism
  2. James Kinneavy's Theory of Discourse, based on the communications triangle

 

Preparation for Reading Plato and Aristotle

Terms

  • Idealism
  • Materialism
  • Structuralism/Post-Structuralism
  • Communications Triangle: Kinneavy's Theory of Discourse comprising
  • Reference,
  • Persuasaive,
  • Expressive, and
  • Literary Discourses
  • History of Literacy
  • Theory as "an explanation of how texts, culture, and meaning relate (among multiple possibilities)"

 

R 9/4

Homework

Read

Plato: selection from The Republic, Book X (I will give you a handout handout): pages 307-324.1

Aristotle: Poetics, Parts I-VI, XXIV (see handout from class): pages 7-21.1. pages 91-101

Write and Post

Before noon on the day of class, post one discussion question to the Moodle forum "Plato," and one to the forum "Aristotle."

Be sure to wrap each question around a specific quotation from the reading with a page number. (Use tenths--e.g., .2 or .7, as I have above--after the page number to indicate how far down the page the quotation begins.

Also include beneath each question a sentence or two commenting on your reasons for asking the question, the directions that you hope the question might send discussion, a critical problem or idea that the question might help address, etc.

Day 2: Plato and Aristotle

Terms

  • Classical Theory
  • Platonic Idealism
  • writing "thrice removed"
  • Plato's Cave: prisoners, shadows, world outside
  • Genre (Aristotle)
  • Formalism
  • better the impossible than the improbable (Aristotle)
  • Mimesis (Showing, Imitation)
  • Diegesis (Telling in your "own" voice)

Resources

WEEK 2
T 9/9

Homework

Read


Primary Readings

Secondary Readings

Write and Post

Before noon on the day of class, post

  1. one discussion questions to the Moodle forum "Arnold," and
  2. one to the forum "Wilde."

 

If you want to include quotations or ideas from the Secondary Readings in your questions, relate them to either Arnold or Wilde and integrate them into your questions in those forums.

Day 3: Matthew Arnold and Oscar Wilde

Terms

  • Aestheticism / Aesthetic
  • Formalism
  • Culture
  • Sweetness and Light
  • philistines
  • "best that is known and thought"
  • machinery
  • disinterested
  • Liberal Humanism
  • beauty
  • perfection
  • "prevail"
  • uselessness
  • paradox/irony
  • art aspires to condition of music (Pater)
  • burn always with that hard, gemlike flame (Pater)

 

R 9/11

Homework

Read

1. Marx and Engels. "Preface" to A Contribution to a Critique of Political Economy. Szeman and Kaposy, pages 106-108

2. Marx and Engels. "The German Ideology." Szeman and Kaposy, pages 161-171

3. Marxist critic Fredric Jameson's definition of history from his book The Political Unconscous.

Write and Post

Before noon on the day of class, post two discussion questions to the Moodle forum "Marx"

 

Day 4: Marx

Terms

  • Historical Materialism
  • engine of history
  • base and superstructure
  • ideology (the house of ideology)
  • reification
  • mystification
  • division of labor
  • forms of ownership
  • modes of production, modes of life
  • consciousness
  • alienating, alienation
  • history as experience of necessity

Topics in "The German Ideology"

  • heaven/earth 165L.6
  • division of labor 162R.10
  • forms of ownership 163L.3
  • language and consciousness 167L.all
  • ruling class - ruling ideas 169L.all
  • example of town and country 162R.10

Topics in the Preface...

  • In the social production.... 107L.3
  • foundation/superstructure 107L.7
  • consciousness 107L.10

 

Resources

 

WEEK 3
T 9/16

Homework

Read

  • The Awakening: Text pages 22-141
  • The Awakening: "Introduction: Biographical and Historical Contexts" 3-21

 

Write and Post

Before noon on the day of class, post two discussion questions to the Moodle forum "Chopin."

These questions should attempt to explore the relevance of The Awakening--its plot, characters, setting, style, language, etc.--to our current theme of Textuality and Culture (a.k.a. Representation and Society).

Feel free to include in your questions ideas and quotations from the Introduction, as well as elements/aspects of the novel itself.

Day 5: Awakening: Introduction, Text

Believing and Doubting Games

Terms

Resources

R 9/18

Homework

Read

  • The Awakening: Contextual Documents pages 140-166
  • The Awakening: A Critical History pgs. 169-185

 

Write and Post

Before noon on the day of class, post two discussion questions to the Moodle forum "Awakening."

Question 1 should use a detail, issue, fact, etc. out of the "Contextual Documents" section to pose a question about a particular passage or scene in the novel.

How does understanding more about the context enable us to interrogate the novel and our readings of it? Be sure to include page numbers from both the document and the novel.

Question 2 should use a quotation or passage from the "Critical History" essay to pose a discussion question about our readings (interpretations, reactions) of the novel.

Choose a particular passage in the novel (perhaps one we looked at last meeting) that presents an opportunity to apply the critical idea you've chosen, to challenge it, or in some way asks us to consider our own responses in light of that idea.

Be sure to include page numbers for both passages/quotations.

 

Day 6: Awakening: Critical History

Terms from Last Time

Today's Terms

  • critical focus
  • proposal
  • WTCIP (work, text, context, idea, problem)
  • noticing
  • indicating
  • naturalism
  • reader-response criticism
  • formalism (New Criticism)
  • new historicism
  • old historicism

Attitude of Naturalism (poem)

A Man Said to the Universe

By Stephen Crane

A man said to the universe:
“Sir, I exist!"
“However,” replied the universe,
“The fact has not created in me
A sense of obligation. ”

Resources

 

Unit 2 Power, Ideology and Identity  
WEEK 4
T 9/23

Homework

Read

  • "Feminist Criticism and The Awakening" 186-202
  • Elaine Showalter. Tradition and the Female Talent: The Awakening as a Solitary Book
  • Gender Criticism and The Awakening 223-236
  • Elizabeth LeBlanc. The Metaphorical Lesbian: Edna Pontellier in The Awakening

Write and Post 2 Discussion Questions

One discussion question each about Showalter and LeBlanc's articles. Be sure to cite a particular passage and page.

As discussed in class last time, be sure to label the parts of each question:

  1. Set-Up
  2. Question
  3. Rationale

 

Day 7: The Awakening: Showalter (feminism) and LeBlanc (gender)

Terms

  • theory vs. criticism
  • Feminist Criticism
  • Gender Criticism

Abstracts, CFPs

Tradition and Theory

"Someone said, 'The dead writers are remote from us because we know so much more than they did.' Precisely, and they are what we know."

- T.S. Eliot “Tradition and the Individual Talent” 

 

R 9/25

Homework

Read

"What is the New Historicism?" In The Awakening pages 257-269

Margit Stange: "Personal Property: Exchange Value and the Female Self in The Awakening." In The Awakening pages 274-290

Write and Post

In the Moodle forum "New Historicism" write two discussion questions:

1. A question that directs us to identify and explore the possibilities of the New Historicist approach

2. A question about how Stange applies New Historicist methods and ideas, and how her essay might help us understand the "What is the New Historicism" introduction (or vica versa).

As discussed in class last time, be sure to label the parts of each question:

  1. Set-Up
  2. Question
  3. Rationale

 

Day 8: New Historicism

CFPs

Framing Questions:

  • What are the characteristics and assumptions of New Historicism?
  • How is New Historicism different from Old Historicism?
  • What is New Historicist about Stange’s essay? 
  • If Stange is New Historicist in approach, how does she deploy (obviously) Marxist, critical ideas to pursue her New Historicist approach? 

Marx's Ideas of Commodity Values

  • use value. The qualitative sense of value = want-satisfying power of a commodity 
  • exchange value. The quantitative sense of value: baseball for a loaf of bread; "what you can get for it")  
  • value. The combined use value and exchange value. Marx said these were opposite, contradictory poles: the seller only cares about the exchange value, the buyer cares about the use value. This suggests an antagonism of interests (though not necessarily of individual people). Capitalism accentuates this: we spend our time making things for other people, not just selling the extra of what we make for ourselves.  This separation of use value and exchange value leads to alientation of the worker from the work: e.g., the kitchen worker who is never seen in the dining room, who eats his own dinner at home.
  • price. The actualization of exchange value, expressed in monetary terms
  • surplus value is the difference between the value of a worker's labor and the compensation that worker receives: a worker adds 5 cents to the value of a widget he helps produce, but is paid 3 cents per widget.  The 2 cents difference is the surplus value appropriated by the capitalist as profit.  
  • See Kapitalism101

 

Key New Historicist Ideas

  • Always historicize!  258
  • Keats questions  285
  • doubt that truth about what happened can ever purely and objectively known 259
  • less likely to see history as linear and progressive (teleology) 259
  • less likely to think in terms of "eras" (spirit of the times).  259
  • literature is not a sphere apart  260
  • blur distinctions between history and other social sciences  260
  • blur distinctions between historical and literary materials  260
  • blur distinctions between political and poetical events  260
  • against "unselfconsciously" and "untheorized"  260
  • reveal the color of the lens  260
  • likely to discuss the theory of historical change that informs their account  260
  • not melioristic  261
  • investigators are themselves situated  261
  • evolution of the disciplines is significant to interpretation  262
  • literary devices continuous with all other representational devices in a culture  262
  • Raymond Williams' legacy to Greenblatt 263:
    • all that had been excluded from literary criticis
    • who controlled access to press
    • who owned the land and factories
    • whose voice were being repressed as well as represented  
    • what social strategies were being served by the aesthetic values we constructed  
  • The point is not to show that the literary text reflects the historical event but to create a field of energy between the two so that we come to see the event as a social text and the literary text as a social event.  
  • historicity of texts and the textuality of history  263
  • discourses and dialogues (Bakhtin)  264-5
  • historian's perspective is not necessarily the best 265
  • that events seldom have any single or central cause  265
  • categories are historically constructed and thus subject to revision  266
  • works of lit are simultaneously influenced by and influencing reality 266
  • McGann: point of origin; history of reception; point to own audience (self consciousness) 267
  • Veeser 267
    • every expressive act embed in network of practices
    • every act of unmasking uses tool it condemns
    • literary and non literary texts circulate inseparably
    • no discourse gives access to unchanging truths
    • critical method participate in the economy
  • thick descriptions  267
  • interdisciplinary  268
  • sees novel as a form of representation that is part of a complex web of historical conditions and relationships.  269

 

 

 

WEEK 5
T 9/30

Homework

Write and Bring Seven Copies

Write a 100-word proposal for a seminar paper and bring in five copies.

The proposal should

  1. identify the work or works to be discussed
  2. specify an aspect of the work(s) to be examined
  3. suggest an historical, cultural, authorial, rhetorical, or critical context for your examination of the work(s)
  4. identify a critical or theoretical idea you will use to help generate, inform, and sustain your discussion (see for examples the glossaries in Chopin 396, or Szeman and Kaposy 531)
  5. suggest a problem to solve, or a question to answer in your paper (problem could stem from the a problematic relationship of work/aspect, context/work, idea/work, idea/context, etc.)

Please include a copy of a CFP that could be an inspiration/destination for the project.

Read

Fredric Jameson. "Reification and Utopia in Mass Culture." Szeman and Kaposy, pages 60-71.

Write and Post

Post two discussion questions about the Jameson article:

1. Jameson's article is concerned with critiquing conventional notions of the mass culture/high culture distinction. Ask a question directed at generating a discussion of this topic, purpose and his execution of it.

2. Starting on page 66, Jameson demonstrates his critical apparatus in readings of Jaws and The Godfather. Write and post a discussuion question that will help us connect specfic passages of his demonstration to the theory itself presented in pages 60-66. How can Jameson's practice help us retrospectively understand his theory?

Be sure to cite a particular passage and page number. It helps to identify the column (L or R) and how far down the page with a decimal point (e.g., .5 for halfway down).

As discussed previously, be sure to label the parts of each question:

  1. Set-Up
  2. Question
  3. Rationale

 

Day 9: Jameson: Reification and Utopia

100-Word Paper Proposals Due

Paper Proposal Discussion

Reification

  • Tourist taking snapshot  61II.4
  • (KFC example, anti-Utopia) 60I.6
  • t-shirt

Terms

  • Reification  60I.6
  • Tourist taking snapshot  61II.4
  • Utopia  68II.5, 67I.5
  • Utopia and ideology  68II5-6, 70II.8
  • ideology not just false consciousness  69I.6
  • rel of high and mass cultures  66II.2, 62II.3, 63I.10
  • vs. Frankfurt School 62I.7
  • imaginary resolutions (mass vs. high cultures) 66II.2
  • art 61I.6
  • instrurmentalsim  60II.6
  • collectivity  71II.6, .8, 65I2-4 (Capitalism)
  • late capitalism  63I.5
  • everything in consumer soc has taken on an aesthetic dimension 62I.1
  • displacement (substitution) 70I.3
  • repression 65II.7

 


October

  Homework In Class
R 10/2

Homework

Print and Read

William Wordsworth's Preface to Lyrical Ballads (1800).

Print out this PDF, and read it on paper. Mark in the margins to prepare for class discussion. Bring your marked copy to class. No reading on devices, please!

Write and Post

Post a discussion question to the Moodle forum "Romantic Theory."

Your question should point us to a useful discussion of how Wordsworth is expressing a vision of "Texts, Culture, Meaning"--that is, a theory, and the ways that Romantic Theory compares and/or contrasts with other theories we've discussed.

One framing question I'd like us to consider is where Romantic Theory would fit into our Idealism/Structuralism/Materialism toolbox, and where in our Kinneavian Discourse toolbox.) Your question might help direct us to conversations that help us decide.

Be sure to cite a particular passage and page number. It helps to identify the column (R or L) and how far down the page with a decimal point (e.g., .5 for halfway down).

Be sure to label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

 

Read Over and Come Back Ready

Read over the other proposals and come back ready to talk more about them. Be prepared to give more reflective feedback and suggestions.

 

Day 10: Romantic Theory (Wordsworth)

Framing Question:

  • How does Wordsworth's "Preface" express a theory: that is, a "vision of how texts, meaning, and culture relate."
  • How does this vision compare or contrast with other theories we've discussed?

 

WEEK 6
T 10/7

Homework

Read

  • "What is Reader Response Criticism?" The Awakening, starting pg. 337
  • Paula Treichler, "The Construction of Ambiguity in the Awakening: A Linguistic Analysis" The Awakening, starting pg. 352.

Write and Post

In the Moodle forum, "Reader Response," write a discussion question that directs us to dicuss the theoretical, methodological, and/or practical implications of what is said or demonstrated in these two readings about reader-response criticism.

Be sure to wrap your question around a specific quotation with a page number.

Label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Revise Your Proposal

Revise your proposal and bring in 7 copies to share.

There is no need to re-copy your CFP unless you've found a new CFP that better speaks to your project.

 

Day 11: Reader-Response Theory. Awakening, Treichler

Terms

  • Reader Response
  • "Nor did they not perceive their evil plight" (Fish)
  • Affective Fallacy
  • affective stylistics
  • gaps (Iser)
  • self-consuming artifact
  • meaning as an event
  • informed reader
  • inteded reader
  • implied reader
  • narratee
  • competent reader
  • subjectivists
  • identity themes
  • interpretive communities
  • reading communities
  • reader-oriented criticism
  • horizons of expectations
  • resisting reader
  • rhetorical reception theory

 

  • Edna as subject (active)
  • grammatical object (passive)
  • figure of speech
  • "...thward out temptation to read this passage as..."
  • cumulative association

 

 

R 10/9

Homework

Read

Antonio Gramsci, "Hegemony" Pages 188-201

Write and Post

In the Moodle forum, "Gramsci," write two discussion questions that would enable us to explore in the Gramsci reading one of the following topics:

  • consent
  • intellectuals
  • the masses
  • base/superstructure
  • "common sense"
  • power
  • identity
  • ideology
  • historical change and revolution
  • literature and culture


Use the usual format:

  1. Set-Up
  2. Question
  3. Rationale

Read and Make Notes on Responses

Read and make notes on your copies of your classmates' proposals.

Come in with one suggestion or observation about each ready to offer in dicussion.

Bring Your Copy of The Awakening

 

Day 12: Gramshi

Terms

  • Ideology,
  • Power,
  • Identity
  • intellectuals
  • revolution
  • hegemony
  • common sense

Resources

WEEK 7
T 10/14

Homework

Read

Louis Althusser, "Ideology and Ideological State Apparatuses." 204-222

Michel Foucault. "Method" 134-138

Write and Post

In the Moodle forum, "Althusser/Foucault," write two discussion questions that direct us to dicuss the readings in relation to "Ideology," "Power," and/or "Identity."

Be sure to wrap each question around a specific quotation with a page number.

Use the usual format:

  1. Set-Up
  2. Question
  3. Rationale

 

Day 13: Althusser and Foucault

Terms

  • Reproduction
  • Ideology is always material
  • ideology's function to constitute individuals as Subjects
  • Subjectivity
  • Hail or Interpellation

 

  • Discourse
  • Power/Knowledge
  • Language., Practices, Institutions

 

 

R 10/16

Homework

Write and Bring

Write a draft of your 500-word absract, due on Tuesday, October 28 (12 days from now).

Do not make copies, but bring your draft to class ready to talk about two challenges or questions that writing it raised for you.

Bring All Books, Printouts, and Handouts

 

Choose, Post to Moodle, and Come Ready

 

"People forget years and remember moments" - Ann Beattie

Think about our two units so far:

  • "Text, Culture, and Meaning" (Theory)
  • "Power, Ideology, Identity" (Subjectivity)

For each of these units, choose one sentence from one reading which represents for you a clear, expressive "moment" in that unit.

In a posting to the appropriate Moodle forum, type that sentence in by noon of the day of class. You don't need to say anytning else. Be sure to cite and document the quotation in MLA format (meaning you should not use tenths or indicate left or right columns).

Come prepared to read your chosen quotations and talk about your choice of them.

  • In what ways do each of these quotations epitomize for you some insight or key idea concerning each unit topic?
  • How could each of your quotations be useful as a critical means of "doing a reading" of a literary work?
  • What makes each quotation a memorable "moment" in the forgetable year of the unit itself?

 

 

Day 14: Taking Stock

Note that today's class will end at 4:00.

 

Discuss Drafts of Abstracts

 

Review "Text, Culture, Meaning" (Theory)

 

Review "Power, Ideology, Identity" (Subjectivity)

 

Unit 3: Temporality, Space, and History  
WEEK 8
T 10/21

Homework

Read

Raymond Williams "Dominant, Residual, and Emergent" pg. 353-356

Jean-Francois Lyotard, "Answering the Question: What is Postmodernism?" pg. 357-363

Write and Post

In the Moodle forum, "Williams and Lyotard," write two discussion questions that direct us to discuss these readings in relation to our unit theme of "temporality, space, and History."

Be sure to wrap each question around a specific quotation with a page number.

As usual, be sure to label the parts of each question:

  1. Set-Up
  2. Question
  3. Rationale

 

Day 15: Raymond Williams, Lyotard

Library Databases

From the Libraries Home page, click Library Guides > English (from the long list) > Databases (tab at top) to get to the English Subject Databases page.

Zotero

I will show you how to download and use a bibliographic browser plug-in called Zotero.

Terms

  • Archaic,
  • Residual,
  • Dominant,
  • Emergent,
  • Alternative,
  • Oppositional

 

  • modernity/modern
  • postmodern
  • modernism/modernist
  • eclecticism
  • the sublime
  • determining judgment (Kant)

 

R 10/23

Homework

Read

Introduction ("Space and Scale" section) pages 251-254, Szeman and Kaposy

Michel de Certeau, pages 264-273, Szeman and Kaposy

Review for Discussion

Michel Foucault. "Method" 134-138

Write and Post

In the Moodle forum, "de Certeau," write a discussion question that directs us to discuss the reading in relation to our current theme of "temporality, space, and History."

Be sure to wrap your question around a specific quotation with a page number.

As usual, be sure to label the parts of your question:

  1. Set-Up
  2. Question
  3. Rationale

 

Day 16: de Certeau, Foucault (again)

WEEK 9
T 10/28

Homework

Bring

  • Seven copies of your 500-word abstract and seven copies of the CFP that describes your ultimate market
  • Your Szeman and Kaposy book
  • The Awakening book
  • all handouts and readings

 

Day 17: Discussion

500-Word Paper Abstracts due

Sections in Crtitical Theory

  1. Reforming Culture
  2. Power
  3. Ideology
  4. Space and Scale
  5. Temporality
  6. Subjectivity

Resources

 

R 10/30

Homework

Read and comment on the 500-word abstracts (subject and apparatus)

No Class Meeting

 


November

 

Homework

In Class

WEEK 10
T 11/4

Homework

Read

Fredric Jameson's "Periodizing the '60s" pages 376-390.

Write and Post

In the Moodle forum, "Jameson: Periodizing," write a discussion question.

Be sure to wrap each question around a specific quotation with a page number.

Label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Bring

Bring the abstracts that you read and commented on. Be prepared to provide feedback, advice, and responses.

Day 18: Workshop Abstracts; Jameson Periodizing

Terms

  • Periodizing
  • '60s
  • sign, signfier, signified, referent
  • late capitalism
  • neocolonialism
  • conditions of possibility
  • terrorism
  • postmodernism

 

Unit 4: Language and Authorship  
R 11/6

Homework

Read

Jacques Lacan. "The Instance of the Letter in the Unconscious, or Reason since Freud" 432-448

Write and Post

In the Moodle forum, "Lacan," write a discussion question.

Be sure to wrap the question around a specific quotation (or two) with a page number(s).

Label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Email Me

Please email me to arrange an individual conference about your seminar paper project.

 

Day 19: Lacan

Terms

 

WEEK 11
T 11/11

Homework

Read

What is Deconstruction? pgs 291- 310, The Awakening.

"A Language Which Nobody Understood": Emancipatory Strategies in The Awakening" pgs. 311-336, The Awakening.

Write and Post

In the Moodle forum, "Deconstruction," write two discussion questions: one about each reading. Questions asking us to relate one reading to the other would also be welcome.

Be sure to wrap each question around a specific quotation (or two) with a page number(s).

Label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

 

Day 20: Awakening: Deconstruction; Yeager

Terms

  • Deconstruction
  • text
  • diachotomies / binaries
  • priviledging
  • sign, signified
  • differance
  • "centers of meaning"
  • undecidability
  • "there is nothing outside of the text"
  • world/text opposition
  • readings

 

  • critique
  • schema of approved social narratives
  • plot
  • code
  • speech-world
  • discourse mode
  • metonymy
  • empty referents
  • le differend (Lyotard)
  • socio-symbolic world
  • dialectic
  • extra-linguistic zone or memory
  • heterotopia, heteroclite (mode of disorder)
  • signifying system
  • phobia

 

R 11/13

Read

Michel Foucault's "What is an Author?"

Write and Post

In the Moodle forum, "What is an Author," write a discussion question.

Be sure to wrap each question around a specific quotation with a page number.

Label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

 

Day 21: Foucualt: What is an Author?

Terms

  • Post-Structural Theory
  • Author-Function
WEEK 12
T 11/18

Homework

Read

Mikhail Bakhtin. from "Discourse in the Novel" The Dialogic Imagination. Pages 259, 275-331.

Write and Post

In the Moodle forum, "Bakhtin,"write a discussion question.

Be sure to wrap the question around a specific quotation (or two) with a page number(s).

Label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Write, Print and Bring

Bring in seven copies of your annotated bibiography

Day 22: Bakhtin

Annotated Bibliography Due

R 11/20

Homework

Print and Read

John Guillory's "Literary Studies and the Modern System of the Disciplines" from Disciplinarity at the Fin de Seicle.

Write and Post

In the Moodle forum, "Guillory," write a discussion question.

Be sure to wrap each question around a specific quotation with a page number.

Label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

 

Day 23: Guillory

WEEK 13
T 11/25

 

Day 24: No Class Meeting, Optional Conferences

R 11/27

 

HAPPY THANKSGIVING


December

  Homework In Class
Unit 5: Disciplinarity  
WEEK 14
T 12/2

Homework

Write and print a draft of your seminar paper. Bring in fives copies. The draft should include in-text parenthetical citations and a Works Cited section, both in MLA format.

If necessary, please email your paper to your classmates via the class alias.

Day 25:

Paper Drafts Due

Discuss Theory in the Seminar Papers

 

 

R 12/4

Homework

Read, Mark, and Be Prepared

Read all seminar paper drafts (on paper!). Mark them and write in the margins.

Come in ready to discuss them. Think in particular about

  • unity
  • detail
  • clarity of the argument
  • opportunities to use theoretical terms and ideas from the semester to open up an important topic in the paper, or to organize a complex topic.

 

Bring all Books and Readings

 

Day 26: Draft Workshop

WEEK 15
T 12/9

Homework

Bring five copies to disctribute in class

Day 27: Papers Due

R 12/11  

Day 28: Presentations

FINAL Exam Week