Schedule | Fall 2016

September: 1, 6, 13, 20, 27; October: 4, 11, 17, 24; November: 1, 8, 15, 22, 29; December: 6

Current and Next Meeting

     
R 12/8

Homework

Prepare your talk to deliver today.

If you have images or other online resources to use in the presentation, please post links to them in the Moodle forum "Presentation Resources."

I will have a Mac laptop set up with the projector in the room for you to use to access these resources via the web.

Presentations to Department

KSC Kirby 268

FINAL
M 12/12

 

Final Exam Online (Comprehensive Exam Practice)

In a time window today between 8 a.m. and 5 p.m., you will spend 2 hours writing responses to two of the questions on the Final Exam.

To give yourself the entire two-hour period, you should start the exam no later than 3 p.m.

We will use the couse Moodle site to make the questions available, and to enable you to write and submit your responses online.

You have a choice of when and where you write the Final Exam, but you will need to plan to complete it within one 2 hour block of time, which you complete no later than 5 p.m.

Directions for the Online Final Exam

During the time window above, open the Moodle quiz "Final Exam."

You will find several questions with text boxes under each.

Remember to answer only two of the questions.

Advice: Write Outside of Moodle and Paste

As a precaution, be sure to write each answer in text-editing software and save it in a file on your computer.

After you have completed each answer, copy the text into that question's text box in Moodle.

What If Moodle Goes Down?

If you have technical problems with Moodle during the exam time, please complete writing the exam, and then copy the text of your answers into an email and send the email to me no more than 90 minutes after the time you started the exam.

If you are using Firefox and have trouble typing into a text box, use the handle grip in the lower right of the text box to enlarge it slightly.

For technical questions about Moodle, call the ITSS Help Desk at 726-8847 during office hours.

 

September

     
Layer 1: How Does the Work Relate to Meaning and Culture(s)?

WEEK 1
8/30

 

Day 1: Introductions

Plato's Cave, inside

Today

  • MA Program
    • courses
    • emphases
    • advisors
    • Plan B's
    • Exam Committee
    • Comprehensive Exam (Written and Oral)
  • Syllabus
  • Books
  • Discussion Questions in Moodle
  • Homework for Thursday
  • Tentative Schedule
  • Seminar Paper (and other documents)
  • Terms: "Critical" "Theory"; Existential Tool Box (idealism. materialism, discourse criticism)
  • Layer 1: How Does the Work Relate to Meaning and Culture(s)?
  • Plato

Resources

 

Layer 1

How Does the Text Relate to Meaning and Culture(s)?

 

 

R 9/1

Homework

Read

Plato, The Republic, Book X (I will give you a handout for this reading): pages 307-324.1

Framing Question for our reading: How does Plato's idealism position him to answer the question posed by our Layer 1 Theme: "How does the work (of art or what he calls 'imitation') relate to meaning and culture(s)?"

Write and Post to Moodle By Noon

Before noon on the day of class, post one discussion question to the Moodle forum "Plato," and one to the forum "Aristotle."

Be sure to wrap each question around a specific quotation from the reading

Cite a particular passage and page number. It helps to identify the column (R or L, if there are columns on the page) and how far down the page with a decimal point (e.g., .5 for halfway down).

Also include beneath each question a sentence or two commenting on your reasons for asking the question, the directions that you hope the question might send discussion, a critical problem or idea that the question might help address, etc.

Please label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Read and Take Notes (noon - 3)

Between noon and 3:00, read your classmates' questions and make notes on your responses.

Try to find another quotation from the reading to "wrap" your reaction or answer.

 

Day 2: Plato, Writing & Idealism

Plato's Cave, outside

Today

  • Questions
  • Structure of web site
  • Meetings
  • Text, meaning, culture(s) (hierarchies)
  • Homework for Tuesday
  • Plato Topics (from your questions):
    • legitimacy, value
    • evil
    • perspective
    • magic
    • imitation
    • Homer
    • fictionality
    • history
    • law
    • society
    • culture
    • manly equanimity vs. "a woman"

Resources

 

 

WEEK 2
T 9/6

Homework

Print and Read (as examples of "Aestheticism") and Post to Moodle

Write a discussion question--using the "Set-Up, Question, Rationale" format from last time--leading us to consider and understand something about aestheticism as represented by either, or both, or these texts.

By noon, post this question as a reply to the Moodle forum "Aestheticism."

Print and Read (as Describing a Theory of Non-Theory)

There is no discussion question due for this reading, though if you think of one please note it down for class.

Consider: what are the similarities and differences between Liberal Humanism and Aestheticism as represented in the Pater and Wilde readings.

Read and Post to Moodle

"Introduction" to The Awakening 3 - 21

As you read, think about the possible ways that this introduction might suggests certain theoretical assumptions: that is, assumptions about hierarchical relations among "text, meaning, cultures." Or perhaps there are other ways that lines and passage here suggest idea about the source of a writing's essence, and what follows from that....)

By noon, post a discussion question (same format as previously) as a reply to the Moodle forum "Introduction to The Awakening" which gives us an opportunity to consider the issues above.

Bring 7 Copies of 2 CFPs

From one or both of the sources below--or elsewhere, if you prefer--search through academic CFPs (Call for Papers) to find two conferences, events, or special issues with topics that interest you.

Make and bring enough copies of both CFPs for everyone.

Things to Consider in Choosing

  • In particular, consider how these CFPs might describe potential venues where you might be able to present or publish the paper you might write for this class.
  • Be open to the idea that a CFP might suggest a topic, rather a topic always determining the choice of CFP.
  • Look, too, for ways that a CFP might give you alternative ideas for development, or new approaches to what is a subject familiar to you.
  • Your chosen CFP may describe conferences or deadlines that have already passed.

Day 3: Aestheticism, Liberal Humanism, CFPs

Oscar Wilde

Resources

 

R 9/8

Homework

Read

1. Marx. "Preface" to A Contribution to a Critique of Political Economy. (1859) Szeman and Kaposy, pages 106-108

2. Marx and Engels. "The German Ideology." (1846) Szeman and Kaposy, pages 161-171

3. Marxist critic Fredric Jameson's definition of history from his book The Political Unconscous.

Write and Post by Noon

Write a discussion question--using the "Set-Up, Question, Rationale" format as before--for each of the two readings from Marx and Engels.

At least one of these two questions should help lead us to consider and understand something about the Marx readings as examples of "materialist" thinking (as opposed to idealist or constructionist thinking).

Between Noon and 4:00

Read over your classmate's posts for today, decide on two questions you think would be most helpful to consider in class, and note down the page numbers of some quotations or ideas you'd use in answering.

CFPs

Read over the CFP and makes notes toward answering these questions:

  • How best to read a CFP to help conceive a critical project like a seminar paper?
  • What kinds of things do you see in these CFPs that could be useful in writing a 100-word proposal for a seminar paper?

 

 

Day 4: Marx and Materialism

From Wilde's Picture of Dorian Gray


"...Beauty is a form of Genius—is higher, indeed, than than Genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned.  It has divine right and sovereignty.... To me beauty is the wonder of wonders.  It is only shallow people who do not judge by appearances.  The true mystery of the world is the visible, not the invisible. (16)

Topics from Your Questions

  • Science
  • Progress
  • Humanism
  • Determinism
  • Mental/material
  • Where does class structure come from?
  • Why do we still need philosophy
  • Always a ruling class?
  • Technology, spirituality
  • Place of language
  • Place of literature

Resources

 

WEEK 3
T 9/13

Homework

Print and Read

William Wordsworth's Preface to Lyrical Ballads (1800).

Print out this PDF, and read it on paper. Mark in the margins to prepare for class discussion. Bring your marked copy to class. No reading on devices, please!

Write and Post Before Noon

Post a discussion question to the Moodle forum "Romantic Theory."

Your question should point us to a useful discussion of how Wordsworth is expressing a vision of "Texts, Culture, Meaning"--that is, a theory, and the ways that Romantic Theory compares and/or contrasts with other theories we've discussed.

One framing question I'd like us to consider is where or how Romantic Theory would fit into our Idealism/Constructionism/Materialism toolbox). Your question might help direct us to conversations that help us decide.

Be sure to cite a particular passage and page number.

Be sure to label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Between Noon and 4:00

Read over your classmate's posts for today, decide on two questions you think would be most helpful to consider in class, and some quotations or ideas you'd use in answering.

Also Bring

Also Bring your Szeman and Kaposy book to finish our conversation about Marx.

Day 5: Wordsworth and Romanticism

Caspar David Friedrich, Wanderer above the Sea of Fog, 1818 (see present-day update)

Topics from Your Wordsworth Questions

  • poetry and art?
  • culture, text, meaning in Wordsworth?
  • nature?
  • truth (and pleasure)?
  • "common life"? culture?

Resources

Topics from Your Marx Questions

  • Science
  • Progress
  • Humanism
  • Determinism
  • Mental/material
  • Where does class structure come from?
  • Why do we still need philosophy?
  • Always a ruling class?
  • Technology, spirituality
  • Place of language
  • Place of literature

CFPs

 

 

 

R 9/15

Homework

Read

Matthew Arnold, "'Sweetness and Light' (1869)," Szeman and Kaposy, pgs 12-17

Write and Post Before Noon

Post a discussion question to the Moodle forum "Arnold."

Your question should point us to a useful discussion of how Arnold is expressing a vision of "Texts, Culture, Meaning"--that is, a theory, and the ways that Arnold's ideas compare and/or contrast with other theories we've discussed.

One framing question I'd like us to consider is where or how Arnold's ideas would fit into our Idealism/Constructionism/Materialism toolbox). Your question might help direct us to conversations that help us decide.

Be sure to cite a particular passage and page number. It helps to identify the column (R or L) and how far down the page with a decimal point (e.g., .5 for halfway down).

Be sure to label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Between Noon and 4:00

Read over your classmate's posts for today, decide on two questions you think would be most helpful to consider in class, and some quotations or ideas you'd use in answering.

 

Day 6: Arnold and "Culture"

Resources

 

WEEK 4
T 9/20

Homework

Read and Bring Questions

Since your 100-Word Proposals for your seminar papers will be due in a week, please read the handout "Seminar Paper Proposal Format" and bring questions about it.

Read

Read pages 22 - 79 of The Awakening.

Write and Post Before Noon

Post a discussion question to the Moodle forum "Chopin 1."

Your question should point us toward a useful discussion that attempts to bring together key components of the "Seminar Paper Proposal Format": aspect, context, term, critical problem.

Be sure to cite a particular passage and page number. It helps to identify how far down the page with a decimal point (e.g., .5 for halfway down).

Be sure to label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Between Noon and 4:00

Read over your classmate's posts for today, decide on two questions you think would be most helpful to consider in class, and some quotations or ideas you'd use in answering.

Day 7: The Awakening (1)

The Awakening (beach)

Resources

 

R 9/22

Homework

Read

  • The remainer of the novel, pages 79 - 139
  • "Critical History" 169 - 194

Write and Post Before Noon

1. Post a discussion question to the Moodle forum "Chopin 2."

Your question should point us toward a useful discussion that attempts to consider one of the components of the "Seminar Paper Proposal Format": aspect, context, terminology, critical problem.

Be sure to cite a particular passage and page number. It helps to identify how far down the page with a decimal point (e.g., .5 for halfway down).

Be sure to label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

 

2. Post a discussion question to the Moodle forum "Awakening Critical History."

This survey of the ways that this novel has been read holds up a mirror to the changing critical approaches and styles of the twentieth and twenty-first centuries.

Ask a question that focuses on some aspect of this history of critical thought. You might ask a question, for instance, about what characterizes a particular approach described, or about the differences of two approaches. Please follow the usual format.

Between Noon and 4:00

Read over your classmate's posts for today, decide on two questions you think would be most helpful to consider in class, and some quotations or ideas you'd use in answering.

 

Day 8: The Awakening (2), Critical History

Resources

 

WEEK 5
T 9/27

Homework

100-Word Proposal

Please bring 7 copies on paper with a relevant CFP attached to each copy.

Bring

Bring The Awakening book and the Critical Theory book, as well as all printouts and handouts.

Day 9: 100-Word Proposals, Taking Stock

Resources

 

R 9/29

Homework

Read

1. "What is Reader-Response Criticism?" page 337- in The Awakening casebook.

2. Paula Treichler "The Construction of Ambiguity in The Awakening: A Linguistic Analysis" page 352- in The Awakening casebook.

Write and Post Before Noon

1. Post a discussion question to the Moodle forum "Reader Response Criticism"

Be sure to cite a particular passage and page number. Identify how far down the page the passage is with a decimal point (e.g., .5 for halfway down).

Be sure to label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Between Noon and 4:00

Read over your classmate's posts for today, decide on two questions you think would be most helpful to consider in class, and some quotations or ideas you'd use in answering.

 

Day 10: Reader Response Criticism

Cover art detail from Janice Radway's Reading the Romance: Women, Patriarchy, and Popular Literature (1984)

Resources

 

 


October

     

Layer 2. How Does the Work Represent Identity and Power?

WEEK 6
T 10/4

Homework

Read

  • "What is Feminist Criticism: Feminist Criticism and The Awakening," pages 186-202 in The Awakening casebook.
  • Elaine Showalter. "Tradition and the Female Talent: The Awakening as a Solitary Book" pages 202-222 in The Awakening casebook.

Write and Post Before Noon

1. Post a discussion question to the Moodle forum "Feminist Criticism"

Be sure to cite a particular passage and page number. Identify how far down the page the passage is with a decimal point (e.g., .5 for halfway down).

Be sure to label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Between Noon and 4:00

Read over your classmate's posts for today, decide on two questions you think would be most helpful to consider in class, and some quotations or ideas you'd use in answering.

 

 

Day 11: Feminist Criticism

Emmeline Pankhurst arrested outside Buckingham Palace, May 1914

 

R 10/6

Homework

 

No Class Meeting

 

WEEK 7
T 10/11

Homework

Read

  • Louis Althusser, "Ideology and Ideological State Apparatuses." Szeman and Kaposy, pages, 204-222
  • Fredric Jameson. "Reification and Utopia in Mass Culture." Szeman and Kaposy, pages 60-71.

Write and Post Before Noon

1. Post a discussion question to the Moodle forum "Althusser, Jameson (Reification)"

Be sure to cite a particular passage and page number. Identify how far down the page the passage is with a decimal point (e.g., .5 for halfway down).

Be sure to label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Between Noon and 4:00

Read over your classmate's posts for today, decide on two questions you think would be most helpful to consider in class, and some quotations or ideas you'd use in answering.

 

Day 12: Althusser, Jameson (Reification)

R 10/13

Homework

Read

Read the three articles I distributed to you on Thursday, either via your mailbox or the top of the tall, black filing cabinets near the back door of H410. (If you don't have a mailbox, look for one to appear in the H410 mailbox bank!)

Come in with a Question for Each Writer

The writers of these three articles will be visiting ENGL 8906 to talk about the various ways that theory informs or appears their work (and how expliit or implicit that influence is).

For each writer, come in with a question that attempts to engage with

  • what theoretical approaches and methods underpin the work
  • how (and to what extent) that theory appears in the work
  • how the theoretical approaches, methods, and ideas contribute to the work's ultimate purposes

 

Day 13: Theory Roundtable

Today, three members of the Graduate Faculty will be discussing the various ways that theory informs their scholarly work.

WEEK 8
T 10/18
 

Day 14: Shakepeare Presentation

Meet in the Library Rotunda

We will meet in the Library Rotunda, where two members of our seminar will be giving a presentation.

R 10/20

Homework

Read

Antonio Gramsci, "Hegemony" (from Prison Notebooks 1929-1935), Szeman and Kaposy, pages 188-201

Write and Post

In the Moodle forum, "Gramsci," write a discussion question that would enable us to explore in the Gramsci reading at least one of the following topics:

  • consent
  • hegemony
  • intellectuals
  • the masses
  • base/superstructure
  • "common sense"
  • power
  • identity
  • ideology
  • historical change and revolution
  • literature and culture

Use the usual format:

  1. Set-Up
  2. Question
  3. Rationale

Read and Begin Drafting

Download, print, and read the handout, "Seminar Paper Abstract Format."

Starting with a copy of your 100-word proposal (being sure to save the original), start to draft your abstract, due next class meeting.

 

Day 15: Gramsci, Ideology

Terms

  • Ideology,
  • Power,
  • Identity
  • intellectuals
  • revolution
  • hegemony
  • common sense

Resources

 

WEEK 9
T 10/25

Homework

Bring seven copies of your 500-word abstract

 

Day 16: 500-Word Abstracts Due

Hearing the Abstracts

  • Something you like,
  • Something you want to hear more about,
  • Something to suggest in a revision…. 

Resources

 

R 10/27  

No Class: Fall Break

 


November

     
WEEK 10
T 11/1

Homework

Abstracts

Come prepared to provide feedback on the abstracts you received and heard read last meeting.

Read

Raymond Williams, "Culture is Ordinary" (1958), Szeman and Kaposy, pgs 53-

Raymond Williams, "Dominant, Residual, and Emergent" (1977), Szeman and Kaposy, pgs 353-

Write and Post Before Noon

Post a discussion question to the Moodle forum "Williams."

Be sure to quote and cite a particular passage and page number. When you do, it helps to identify the column (R or L) and how far down the page with a decimal point (e.g., .5 for halfway down).

Be sure to label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Between Noon and 4:00

Read over your classmate's posts for today, decide on two questions you think would be most helpful to consider in class, and some quotations or ideas you'd use in answering.

 

 

Day 17: Raymond Williams, Culture and Ideology

Resources

R 11/3

Homework

Schedule a Conference

Please contact me by email to arrange a time for a conference to talk about your abstract. Please allow at least 20 minutes for the conference.

I am available generally on Tuesdays and Thursdays: before 11, and between 12:30 and 4:00.

Bring to the conference:

  1. your abstract with notes and questions in the margins,
  2. the name of a member of the graduate faculty you want to talk to about your project,
  3. a list of three-to-five secondary sources that you might include on the annotated bibliography, which is due 11/17

Read

1. "What is the New Historicism?" In The Awakening casebook, pages 257-269

2. Margit Stange: "Personal Property: Exchange Value and the Female Self in The Awakening." In The Awakening casebook, pages 274-290

Write and Post Before Noon

In the Moodle forum "New Historicism" write two discussion questions:

1. A question that directs us to identify and explore the methods and possibilities of the New Historicist approach

2. A question about how Stange applies New Historicist methods and ideas, and how her essay might help us understand the "What is the New Historicism" introduction (or vica versa).

As discussed in class last time, be sure to label the parts of each question:

  1. Set-Up
  2. Question
  3. Rationale

Between Noon and 4:00

Read over your classmate's posts for today, decide on two questions you think would be most helpful to consider in class, and some quotations or ideas you'd use in answering.

 

Day 18: New Historicism

"Vanitas still life" Edwaert Collier 1662 (See Christie's "Collier Decoded...")

 

WEEK 11
T 11/8

Homework

Read

Fredric Jameson's "Periodizing the '60s," Szeman and Kaposy, pages 376-390.

Jameson opened his most famous book with the imperative, "Always historicize!"

Here, though, Jameson raises the problem of talking about history in mythological "epochs" or "eras."

How can we write and think about "the '60s," for example, if we can't really support the belief that such a thing as "the '60s" existed?

If a period like the '60s (or any period) is defined neither by an arbitrary set of dates, nor by some vague "spirit of the times," can such periodizing be a valid way of thinking seriously about history?

Write and Post Before Noon

In the Moodle forum, "Jameson: Periodizing," write a discussion question.

Be sure to wrap the question around a specific quotation with a page number.

Label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Between Noon and 4:00

Read over your classmate's posts for today, decide on two questions you think would be most helpful to consider in class, and some quotations or ideas you'd use in answering.

Day 19: Jameson, Periodizing

From the 1966 Italian film The Battle of Algiers

Set Up Lacan

In The Origins of Totalitarianism (1951), the philosopher Hannah Arendt writes:

Like the earlier mob leaders, the spokesmen for totalitarian movements possessed an unerring instinct for anything that ordinary party propaganda or public opinion did not care to touch. Everything hidden, everything passed over in silence, became of major significance, regardless of its own intrinsic importance. The mob really believed that truth was whatever respectable society had hypocritically passed over, or covered with corruption … The modern masses do not believe in anything visible, in the reality of their own experience … What convinces masses are not facts, and not even invented facts, but only the consistency of the system of which they are presumably part.

Resources

 

R 11/10

Homework

Read

Jacques Lacan. "The Instance of the Letter in the Unconscious, or Reason since Freud" Szeman and Kaposy, pages, 432-448

Write and Post Before Noon

In the Moodle forum, "Jameson: Periodizing," write a discussion question.

Be sure to wrap the question around a specific quotation with a page number.

Label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Between Noon and 4:00

Read over your classmate's posts for today, decide on two questions you think would be most helpful to consider in class, and some quotations or ideas you'd use in answering.

Day 20: Lacan, Post-Structuralism

Resources

WEEK 12
T 11/15

Homework

Read

Download, print, and read Michel Foucault, "What is an Author?"

[If you want to cite this article, see this longer, alternative version which includes the bibliographical information and page numbers

Read Michel Foucault. "Method" Szeman and Kaposy, pages, 134-138

Write and Post

In the Moodle forum, "Foucault," write a discussion question.

Be sure to wrap each question around a specific quotation with a page number.

Label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Between Noon and 4:00

Read over your classmate's posts for today, decide on two questions you think would be most helpful to consider in class, and some quotations or ideas you'd use in answering.

Bring a Laptop

Bring to class a laptop to work on. Please let me know if you don't have a laptop available.

Day 21: Foucault, Zotero

Resources

R 11/17

Homework

Read

What is Deconstruction? pgs 291- 310, in The Awakening casebook

"'A Language Which Nobody Understood': Emancipatory Strategies in The Awakening," pages 311-336 in The Awakening casebook

Write and Post

In the Moodle forum, "Deconstruction," write two discussion questions: one about each reading. Questions asking us to relate one reading to the other would also be welcome.

Be sure to wrap each question around a specific quotation (or two) with a page number(s).

Label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Between Noon and 4:00

Read over your classmate's posts for today, decide on two questions you think would be most helpful to consider in class, and some quotations or ideas you'd use in answering.

 

Day 22: Deconstruction

Resources

WEEK 13
T 11/22

Homework

Annotated Biblography by Noon

Though we are not meeting as a class today, please submit your an annotated bibliography for your seminar paper project to my mailbox in Humanities 420 by noon.

The annotated bibliography should contain between 8 and 12 sources. These should be presented alphabetically in MLA citation format, double spaced.

Choice of Items

Items should be selected for their relevance to your paper topic. This relevance may come from their usefulness

  • as direct sources (that you plan on citing in your paper),
  • as models of analytical method, style, or thinking
  • as "foils" against which you will argue.

Annotations

Beneath each item you shoud write an annotation of at least 3 sentnces which makes clear tehe relevance of the source to your own project. Annotations may

  • summarize the source
  • evaluate its argument, methods, or conclusion
  • reflect on its relevance or usefulness as a source, model, and/or foil.
  • a combination of these.

Optional Conference

If you are interested in meeting with me to disucss your seminar paper, please email me to arrange a time.

Bring your annotated bibliography to the conference.

No Class Meeting: Optional Conferences, Annotated Bibliography Due

R 11/24  

Thanksgiving

WEEK 14
T 11/29

Homework

Read

  • Gender Criticism and The Awakening 223-236
  • Elizabeth LeBlanc. "The Metaphorical Lesbian: Edna Pontellier in The Awakening." The Awakening casebook, starting on page 237.

Write and Post

In the Moodle forum, "Gender Criticism," write two discussion questions: one about each reading. Questions asking us to relate one reading to the other would also be welcome.

Be sure to wrap each question around a specific quotation (or two) with a page number(s).

Label the parts of the question:

  1. Set-Up
  2. Question
  3. Rationale

Between Noon and 4:00

Read over your classmate's posts for today, decide on two questions you think would be most helpful to consider in class, and some quotations or ideas you'd use in answering.

 

 

Day 23: Gender Criticism

Resources


December

     
R 12/1

Homework

Bring Books, Handouts, Notes

Please bring your two books to class, as well as all handouts and printouts from the semester, as well as your notes.

Final Exam as a Rehearsal

Our final exam in this course will give you an opportunity to practice answering the kinds of questions you'll see on the Comprehensive Exam at the end of your program. You will take our final exam online via the Moodle system (more on that later).

For this rehearsal, we will treat texts from our course syllabus as a reading list. (For your actual exam, you will develop such reading lists in collaboration with the faculty members you've chosen to serve on your committee.)

Taking Stock of Our Readings

As a start, we want to identify patterns and connections among our readings, though these threads will be different for each of you. These patterns will suggest topics for the exam questions.

The Study Tree

For today, please use the printout of the study tree I gave you in class last time to list the works we've read in the column of blanks running vertically down the middle of the page. You will add branches later to make your tree look something like this.

The half-tone background image of the tree is meant to give your diagram an organic shape.

You might list the works

  • in the order we read them,
  • in historical order (bottom up?)
  • in a continuum from materialism to idealism (perhaps with materialism at the root
  • in a spectrum from one principle to its opposite

Branching Out

After you list the works, branch out from those titles/names with key words or brief phrases. Include page numbers if you have them. You can also use symbols, diagrammatic doodles, instead of words. It doesn't matter whether it makes sense to anyone else. Try to gave two or three key ideas branching out from each work.

Connect the Branches

Look for connections you can make between and among branches. Trace these connections by drawing lines, like vines running up and down your tree.

Circle Items and Thicken Lines

As ideas, quotations, or works reveal themselves as important, circle them. Thicken lines of connection that seem key to you. Darken the circles around items that feel most significant, especially if you find yourself making lots of connections to them Feel free to add your own cryptic notations about why these nodes and lines have weight.

Day 24: Taking Stock, Talk about Presentations and Final Exam

Resources

 

WEEK 15
T 12/6
 

Day 25: Seminar Papers Due, Discuss Presentations and Final Exam

 

R 12/8

Homework

Prepare your talk to deliver today.

If you have images or other online resources to use in the presentation, please post links to them in the Moodle forum "Presentation Resources."

I will have a Mac laptop set up with the projector in the room for you to use to access these resources via the web.

Presentations to Department

KSC Kirby 268

FINAL
M 12/12

 

Final Exam Online (Comprehensive Exam Practice)

In a time window today between 8 a.m. and 5 p.m., you will spend 2 hours writing responses to two of the questions on the Final Exam.

To give yourself the entire two-hour period, you should start the exam no later than 3 p.m.

We will use the couse Moodle site to make the questions available, and to enable you to write and submit your responses online.

You have a choice of when and where you write the Final Exam, but you will need to plan to complete it within one 2 hour block of time, which you complete no later than 5 p.m.

Directions for the Online Final Exam

During the time window above, open the Moodle quiz "Final Exam."

You will find several questions with text boxes under each.

Remember to answer only two of the questions.

Advice: Write Outside of Moodle and Paste

As a precaution, be sure to write each answer in text-editing software and save it in a file on your computer.

After you have completed each answer, copy the text into that question's text box in Moodle.

What If Moodle Goes Down?

If you have technical problems with Moodle during the exam time, please complete writing the exam, and then copy the text of your answers into an email and send the email to me no more than 90 minutes after the time you started the exam.

If you are using Firefox and have trouble typing into a text box, use the handle grip in the lower right of the text box to enlarge it slightly.

For technical questions about Moodle, call the ITSS Help Desk at 726-8847 during office hours.