Criminology and Criminal Justice in Film
Soc 3395
Summer Session 2009
Instructor: Jeff Maahs
Class Meets 9:30-12:10 M-TH in Cina 102
Office Hours: M-Th after class, or by appointment
Office: 207 Cina
Mailbox: 228 Cina
Email: jmaahs@d.umn.edu
Web: www.d.umn.edu/~jmaahs
Phone: 726-7395

 

 

 

 

 

Course Description

This class concerns the representations of crime and the criminal justice system in films. Crime films reflect society's impressions about social, economic, and philosophical issues and, in turn, shape the way we think about these issues. The point of this course is to examine how film represents, distorts, and/or filters crime and justice issues. Also, films are used as a mechanism to explore issues (e.g., political ideology, corrections policy, causes of crime) that are central to the study of crime.

Course Objectives/Outcomes
Upon completing this class, students will:

1. Have the skills to critically view crime films and recognize the construction of crime and justice (e.g., cops, courts, prisons) within such films.
2. Understand the basic theoretical perspectives on crime, and be able to relate these perspectives to film portrayals of the causes of crime.
3. Understand the role of political ideology in criminology and criminal justice and recognize ideological viewpoints in films
4. Understand the contemporary and historical issues regarding the criminal justice system and connect these issues theatrical portrayals.

 

Required Course Readings

Articles and Book Chapters (Hand outs or links to .pdf files).

Cullen, FT., and K. Gilbert (1982). "Criminal Justice Theories and Ideologies." In, Reaffirming Rehabilitation. Cincinnati: Anderson.

Cullen, F.T., and R. Agnew. (2006). "The Chicago School: The City, Social Disorganization, and Crime." In, Criminological Theory: Past to Present. Third Edition. Los Angeles: Roxbury.

Hare, R. (1996). "Psychopathy: A Clinical Construct Whose Time has Come." Criminal Justice and Behavior, 23: 25-54.

Kappeler, V., M. Blumberg, and G.W. Potter (2000). The Mythology of Crime and Criminal Justice. Prospect Heights, IL: Waveland.

  • Chapter 8, Drug War Cowboys
  • Chapter 10, Battered and Blue Crime Fighters

Petrosino, A., Turpin-Petrosino, C. and Finckenauer (2000). "Well-meaning programs can have harmful effects! Lessons from experiments of programs such as Scared Straight." Crime and Delinquency 46: 354-379. (Online)

Rafter, N. (2006). Shots in the Mirror: Crime Films and Society. Cambridge: Oxford University Press.

  • Chapter 2, "Why they went bad."
  • Chapter 3, "Slasher, Serial Killer, and Psycho Movies"
  • Chapter 4, "Cop and Detective Films"
  • Chapter 6, "Criminal Law Films

Surette, R. (2007). "Predators, pictures, and policy." In, Media, Crime, and Criminal Justice. Belmont, CA: Wadsworth.

Useem, B. (1985). Disorganization and the New Mexico Prison Riot of 1980. American Sociologic la Review 50: 677-688. (Online)

 


Special arrangements/Facilities

Individuals who have any disability, either permanent or temporary, which might affect their ability to perform in this class are encouraged to inform the instructor at the start of the semester. Adaptation of methods, materials or testing may be made as required to provide for equitable participation. It is your responsibility to contact the Access Center for advice regarding adaptations.

Academic Dishonesty(Cheating)

Cheating on exams or assignments will be dealt with in accordance with University policies. Anyone caught cheating on an exam will receive a zero for that exam. Plagiarism refers to presenting another's words or ideas as if they were your own. It is cheating and thus an academic offense. The penalty for plagiarism is failure for that particular assignment. I encourage you to work together, but you must turn in your own work. If you use ideas or words from the texts or outside readings, you must cite the work.

Attendance/Tardiness

Given the nature of this class, (viewing and discussing crime films) attendance and participation is crucial. Therefore, I will take attendance, and participation (for which attendance is a necessary condition) makes up 30% of your grade.

Missed Assignments

All students are expected to turn in assignments on the day they are due. Failure to do so will result in substantial penalties. If the assignment is not turned in within 2 school days of the due date it will not be accepted.

Course Requirements

Exams: For this class, there is a single (comprehensive) final exam. The exam will be take-home, and must be typed. Specifics for the exam will be disseminated to students as the class progresses. The exam will be due on the final day of class.

Assignments: For each assignment there are one or two questions designed to help you think critically about the films and readings. You must complete all assignments. Assignments will be posted online, and are due on the calendar date where they are posted. Typically, reading-based assignments are due prior to discussing the reading, while film-based assignments are due the day after we view a film. These are meant to be exercises in ACADEMIC writing, so please follow the ASSIGNMENT GUIDELINES. You will lose points for improper citation, poor grammer, and spelling errors.

Participation: Given the small class size, it is incumbent upon each student to prepare for each class by reading the assigned material. To the extent that you are prepared, the lectures will make more sense and the class discussions will be more meaningful. Your participation score will obviously depend upon attendance, but will also include more than attendance. Students will be expected to participate in class discussions.

Grading Scale: (Instructor reserves right to curve final grades upward)

Assignments
40%
Participation
30%
Final Exam
30%
93-100%
A
73-76% C
90-92%
A-
70-72% C-
87-89%
B+
67-69% D+
83-86%
B
60-66% D
80-82%
B-
0-59% F
77-79%
C+
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Course Schedule
Date Topic Readings Film (time) Assignments Due:
July 8 M

Introduction to class

None None None
June 9 T Media and Crime + Ideology Surette, "Predators, Pictures, and Policy"
Cullen and Gilbert, "Criminal Justice Theories and Ideologies."
None Assignment #1 Due
June 10 W Ideology + Policy + History (Corrections Policy as an Example). None A Clockwork Orange (2:17)  
June 11 TH Criminological Theory + Social Disorganization Rafter, "Why They Went Bad"
Cullen and Agnew, "The Chicago School"
Boyz N the Hood (1:47) Assignment #2 Due
June 15 M
Deterrence Theory Petrosino et al., "Well-Meaning Programs..." Scared Straight! (1:30)  
June 16 T Police Officers and Film
Rafter, "Cop and Detective Films"
Kappeler et al, "Battered and Blue"
Heat (2:35) Assignment #3 Due
June 17 W Police II None Dirty Harry (1:42) Assignment #4 Due
June 18 TH Police III None DNW  
June 22 M Psychopaths and Serial Killers Hare, "Psychopathy: A Clinical Construct"
Rafter, "Slasher, Serial Killer, and Psycho"
Silence of the Lambs (2:00) Assignment #5 Due
June 23 T Prof. Maahs Half Dead Wouldn't want to veiw film of this experience    
June 24 W Prison Films Rafter, "Prison and Execution Films" American Me  
June 25 TH Prison II Useem, "Disorganization and the New Mexico Prison Riot" "Shakedown at Sante Fe" (1:00) Assignment #6 Due
June 29 M The War on Drugs Kappeler et al., "Drug War Cowboys" Blow Assignment #7 Due
July 1 T Student Picks   Boondock Saints  
July 2 W Student Picks   American Gangster FINAL EXAM DUE